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Bio

Born in Washington, D.C., Jeff Ganz became a New Yorker at age 13. He began as many did with piano and clarinet lessons, later becoming self-taught on drums and guitar. Jeff's devotion and talent began to be rewarded at age 14, when he began performing professionally as a guitarist/vocalist in the Hendrix/Clapton tradition.

Driven by his love of music and the need to perform, he began a lifelong quest to lead the ultimate band. But at age 19, the reality of survival in the big city led Jeff on a detour from "stardom," and he began working countless club gigs and private parties throughout the NYC metropolitan area.

At 20, Jeff wanted a new musical challenge and made the decision to master the bass, feeling that it represented the ideal hybrid between harmony and rhythm, guitar and drums. Seeking professional guidance, he began studying upright bass with such prominent New York teachers as Bill Pemberton, Clyde Lombardi and Homer Mensch. To build a solid foundation on the electric bass, he turned to the respected guitarist/film composer Ira Newborn, and jazzman Jeff Andrews. Later, he studied drums with Gene Morvay, Ben Gramm, Tony Tedesco, Frank Bellucci and Don Giunta.

Jeff's goal was simple: he wanted to be the first-call guy in every possible musical genre. He didn't stop with the traditional upright bass; he also mastered the fretted and fretless 4, 5, 8, and 12-string electric bass, as well as the piccolo bass guitar.

Jeff has always been driven to push the envelope beyond the what everyone expects to hear, entering that highly creative zone that gives birth to something totally unique. Every great musician has their own sound, and can be identified within just a few notes. Jeff Ganz is no exception. His signature style provides propulsive accompaniment on both bass and drums.

He names bassists Mel Schacher and George Mraz, vocalists Jack Bruce and Bobby "Blue" Bland and drum icons Jo Jones and John Bonham as illustrations of his eclectic influences.

In addition to many years of bass utility work in the New York area, Jeff has toured and recorded with such legends as Johnny Winter, Roy Buchanan, John Lee Hooker, Gerry Mulligan, Laurie Anderson, Lou Reed, Tito Puente, Chuck Berry, Joe Morello, Southside Johnny and the Asbury Jukes, Dr. John and Larry Coryell.

Because his ability to provide the perfect accompaniment in any situation, his resume reads like a who's who of popular American music in the 20th century. Jeff has occupied the bass chair on television, in concert and on CD for such artists as Rita Moreno, Howard Levy, Melanie, Al Cohn, Johnnie Johnson, The Village People, Billie Joe Royal, Marvin Hamlisch, Liza Minnelli, Kenwood Dennard and Ben Vereen, amongst many others.

While building a thirty-plus year reputation as a first-call bassist, Jeff's freelance credits include movie soundtracks, Broadway musicals and national television commercials. He appeared on Grammy-nominated recordings with Johnny Winter and John Lee Hooker, as well as the Tony Award-winning original cast album of Roger Miller's "Big River".

Still based in the New York area, Jeff is busy with various solo projects, co-leads Wang Dang, is a member of TorQue, and continues to guest with internationally known acts.


Being a sideman

"As a sideman, it's important to always be aware of whose name is on the ticket. And no matter what you're doing, you've got to play what is appropriate for a given situation. I've been fortunate to amass a wealth of diverse musical experiences, and it's definitely made me more proficient on many levels. When you find yourself in situations that are more spontaneous, I let the music itself tell me what needs to be done. No matter what I play, I'm always hoping to be as good as the music, and serve it in the best way possible.

Playing with Johnny Winter:

"Johnny heard me when I was playing with Roy Buchanan. He was friendly and reserved when we met, but musically, we clicked quickly. He was really intrigued with the 8-string. Johnny once told me that he considered himself more of an entertainer than a musician. One could take a comment like that to be self-effacing from such a guitar giant, but it helped me to find my niche in his band right away. He wanted an accompanist, not a competitor. I played a bunch of different basses and did some featured vocals, and was very pleased that Johnny trusted me to play the right stuff for his music." Jeff recorded two Grammy-nominated CDs with Johnny, Let Me In, and "Hey, Where's Your Brother?"


 
  Playing with John Lee Hooker:

"Working with real legends is always a great learning experience. He was a man who's obviously lived the blues. Although I only got to record with him once (the whole session took 45 minutes), its something I'll always be proud of.


Playing with Chuck Berry

"I got this gig through Charlie Frazer, a guitarist friend who put backup bands together. At the rehearsal, Chuck gave me his instructions. 'When I put my foot up, you play. When I put my foot down, you stop. See you tonight!'
 


  Playing with Roy Buchanan

"At the time we started to work together, Roy wasn't carrying a band. I got the call to do a date with him opening for Robin Trower at the Capital Theatre in Passaic, N.J. That began my two-year association with Roy, a guitarist's guitar player. Roy was always happy to play anytime and anywhere. I was too, because Roy's music really gave me an opportunity to stretch out. It was balls-to-the-wall blues, with lots of surprises.



  Hanging with Roy Buchanan

"We were on the road so I got to know Roy pretty well. Along the way, we discovered that we were both huge fans of the Bowery Boys movies. Roy's generosity turned out to be something special for me; he gave me a Bowery Boys anthology book. I asked him to autograph it; he was flattered, but he wouldn't do it!" If you want to know more about Roy, here's a great read: Roy Buchanan: American Axe by Phil Carlson.

Ben Vereen

"One of my first unforgettable experiences in the music business was playing at the Concord Hotel in the Catskills, and working with Ben Vereen. It was tremendously inspiring playing electric bass with a 26-piece orchestra behind such a magnificent talent. I was always an admirer of his work, and accompanying him was really something special. Ben was a consummate performer with great orchestrations, and a warm and cordial man as well. I ended up playing on his Christmas CD 25 years later.
 


  Working on Broadway
"I loved the feeling I got when my parents took me to musicals. My mom took me to see "The Music Man", and my dad took me to see "Annie Get Your Gun", starring Ginger Rogers. I always wanted to replicate that indescribable feeling, and pursued playing in Broadway orchestras, on stage and in the pit. I've worked in close proximity to legendary composers, such as Andrew Lloyd Webber, Jim Steinman and Roger Miller. Musical input was encouraged in some of these situations, and I was exhilarated when ideas I suggested ended up as part of the score.

On Playing The Drums

"I could play a beat on the drums way before I could play anything on guitar or bass. I will always love to play drums. Drumming improves my bass work as well, and helps tremendously to solidify me rhythmically. In fact, I have drummed in concert and in clubs with the Ed Palermo Big Band, Rhett Tyler and Early Warning, the Hudson River Rats, Not for Nothing, Red Grammer and Woof. I do private parties and recording sessions on drums as well. I've played drums on CDs with the House of Pernod (a slam-poetry group), Tim Cain (a NYC singer-songwriter), on a Coca-Cola TV commercial, and often do live drums on my own recordings."
 


 
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