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Born in Washington, D.C., Jeff Ganz became a New Yorker at age 13.
He began as many did with piano and clarinet lessons, later becoming
self-taught on drums and guitar. Jeff's devotion and talent began
to be rewarded at age 14, when he began performing professionally
as a guitarist/vocalist in the Hendrix/Clapton tradition.
Driven by his love of music and the need to perform, he began a
lifelong quest to lead the ultimate band. But
at age 19, the reality of survival in the big city led Jeff on a
detour from "stardom," and he began working countless
club gigs and private parties throughout the NYC metropolitan area.
At
20, Jeff wanted a new musical challenge and made the decision to
master the bass, feeling that it represented the ideal hybrid between
harmony and rhythm, guitar and drums. Seeking professional guidance,
he began studying upright bass with such prominent New York teachers
as Bill Pemberton, Clyde Lombardi and Homer Mensch. To build a solid
foundation on the electric bass, he turned to the respected guitarist/film
composer Ira Newborn, and jazzman Jeff Andrews. Later, he studied
drums with Gene Morvay, Ben Gramm, Tony Tedesco, Frank Bellucci
and Don Giunta.
Jeff's goal was simple: he wanted to be the first-call guy
in every possible musical genre. He didn't stop with the traditional
upright bass; he also mastered the fretted and fretless 4, 5, 8,
and 12-string electric bass, as well as the piccolo bass guitar.
Jeff
has always been driven to push the envelope beyond the
what everyone expects to hear, entering that highly creative zone
that gives birth to something totally unique. Every great musician
has their own sound, and can be identified within just a few notes.
Jeff Ganz is no exception. His signature style provides propulsive
accompaniment on both bass and drums.
He names bassists Mel Schacher and George Mraz, vocalists Jack Bruce
and Bobby "Blue" Bland and drum icons Jo Jones and John
Bonham as illustrations of his eclectic influences.
In addition to many years of bass utility work in the New York area,
Jeff has toured and recorded with such legends as Johnny Winter,
Roy Buchanan, John Lee Hooker, Gerry Mulligan, Laurie Anderson,
Lou Reed, Tito Puente, Chuck Berry, Joe Morello, Southside Johnny
and the Asbury Jukes, Dr. John and Larry Coryell.
Because his ability to provide the perfect accompaniment in any
situation, his resume reads like a who's who of popular American
music in the 20th century. Jeff has occupied the bass chair on television,
in concert and on CD for such artists as Rita Moreno, Howard Levy,
Melanie, Al Cohn, Johnnie Johnson, The Village People, Billie Joe
Royal, Marvin Hamlisch, Liza Minnelli, Kenwood Dennard and Ben Vereen,
amongst many others.
While building a thirty-plus year reputation as a first-call bassist,
Jeff's freelance credits include movie soundtracks, Broadway musicals
and national television commercials. He appeared on Grammy-nominated
recordings with Johnny Winter and John Lee Hooker, as well as the
Tony Award-winning original cast album of Roger Miller's "Big
River".
Still based in the New York area, Jeff is busy with various solo
projects, co-leads Wang Dang, is a member of TorQue, and continues
to guest with internationally known acts. |
| Being
a sideman
"As a sideman, it's important to always be aware of whose
name is on the ticket. And no matter what you're doing, you've got
to play what is appropriate for a given situation. I've been fortunate
to amass a wealth of diverse musical experiences, and it's definitely
made me more proficient on many levels. When you find yourself in
situations that are more spontaneous, I let the music itself tell
me what needs to be done. No matter what I play, I'm always hoping
to be as good as the music, and serve it in the best way possible.
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Playing with Johnny Winter:
"Johnny heard me when I was playing with Roy Buchanan.
He was friendly and reserved when we met, but musically, we
clicked quickly. He was really intrigued with the 8-string.
Johnny once told me that he considered himself more of an
entertainer than a musician. One could take a comment like
that to be self-effacing from such a guitar giant, but it
helped me to find my niche in his band right away. He wanted
an accompanist, not a competitor. I played a bunch of different
basses and did some featured vocals, and was very pleased
that Johnny trusted me to play the right stuff for his music."
Jeff recorded two Grammy-nominated CDs with Johnny, Let
Me In, and "Hey, Where's Your Brother?"
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Playing with John Lee Hooker:
"Working with real legends is always a great learning experience.
He was a man who's obviously lived the blues. Although I only
got to record with him once (the whole session took 45 minutes),
its something I'll always be proud of. |
Playing with Chuck Berry
"I got this gig through Charlie Frazer, a guitarist friend
who put backup bands together. At the rehearsal, Chuck gave
me his instructions. 'When I put my foot up, you play. When
I put my foot down, you stop. See you tonight!' |
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Playing
with Roy Buchanan
"At the time we started to work together, Roy wasn't carrying
a band. I got the call to do a date with him opening for Robin
Trower at the Capital Theatre in Passaic, N.J. That began my
two-year association with Roy, a guitarist's guitar player.
Roy was always happy to play anytime and anywhere. I was too,
because Roy's music really gave me an opportunity to stretch
out. It was balls-to-the-wall blues, with lots of surprises.
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Hanging with
Roy Buchanan
"We were on the road so I got to know Roy pretty well.
Along the way, we discovered that we were both huge fans of
the Bowery Boys movies. Roy's generosity turned out to be something
special for me; he gave me a Bowery Boys anthology book. I asked
him to autograph it; he was flattered, but he wouldn't do it!"
If you want to know more about Roy, here's a great read: Roy
Buchanan: American Axe by Phil Carlson. |
Ben Vereen
"One of my first unforgettable experiences in the music
business was playing at the Concord Hotel in the Catskills,
and working with Ben Vereen. It was tremendously inspiring playing
electric bass with a 26-piece orchestra behind such a magnificent
talent. I was always an admirer of his work, and accompanying
him was really something special. Ben was a consummate performer
with great orchestrations, and a warm and cordial man as well.
I ended up playing on his Christmas CD 25 years later. |
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Working
on Broadway
"I loved the feeling I got when my parents took
me to musicals. My mom took me to see "The Music Man",
and my dad took me to see "Annie Get Your Gun", starring
Ginger Rogers. I always wanted to replicate that indescribable
feeling, and pursued playing in Broadway orchestras, on stage
and in the pit. I've worked in close proximity to legendary
composers, such as Andrew Lloyd Webber, Jim Steinman and Roger
Miller. Musical input was encouraged in some of these situations,
and I was exhilarated when ideas I suggested ended up as part
of the score. |
On Playing The Drums
"I could play a beat on the drums way before I could play
anything on guitar or bass. I will always love to play drums.
Drumming improves my bass work as well, and helps tremendously
to solidify me rhythmically. In fact, I have drummed in concert
and in clubs with the Ed Palermo Big Band, Rhett Tyler and Early
Warning, the Hudson River Rats, Not for Nothing, Red Grammer
and Woof. I do private parties and recording sessions on drums
as well. I've played drums on CDs with the House of Pernod (a
slam-poetry group), Tim Cain (a NYC singer-songwriter), on a
Coca-Cola TV commercial, and often do live drums on my own recordings."
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